In order to help to offer an opinion worth something to you....
How long have you been playing?
What is your highest break?
What sort of range of breaks would you expect yourself to make over say half a dozen frames, given decent chances?..... i.e...
None above 30.? - A few between 30 to 60.? - A few between 50 to 80.?
This helps to determine how proficient you are at playing, and this is relevant. Unless you are at or above a certain level of proficiency, it will be difficult for you to know what the cue is actually doing or giving you in performance terms. You will of course be able to determine which feels most comfortable, but that's more personal preference to a shape, size and weight of cue.
Generally speaking, an extremely competent player would know whether a cue is doing what they ask of it within a dozen shots, although it does take a little more time to become fully accustomed to it. Cues which do not perform well are indentifiable straight away and can be pretty much discounted within five mintues. Conversely, a fabulous cue is obviously impressive from the off, and, the way the cue behaves in response to the command given to it will be exactly, or even better than the player would have predicated for a given delivery, on a given shot.
Of course, as I have already mentioned, unless a player is of a certain level of proficiency at playing, these finer points will just not be spotted.
How long have you been playing?
What is your highest break?
What sort of range of breaks would you expect yourself to make over say half a dozen frames, given decent chances?..... i.e...
None above 30.? - A few between 30 to 60.? - A few between 50 to 80.?
This helps to determine how proficient you are at playing, and this is relevant. Unless you are at or above a certain level of proficiency, it will be difficult for you to know what the cue is actually doing or giving you in performance terms. You will of course be able to determine which feels most comfortable, but that's more personal preference to a shape, size and weight of cue.
Generally speaking, an extremely competent player would know whether a cue is doing what they ask of it within a dozen shots, although it does take a little more time to become fully accustomed to it. Cues which do not perform well are indentifiable straight away and can be pretty much discounted within five mintues. Conversely, a fabulous cue is obviously impressive from the off, and, the way the cue behaves in response to the command given to it will be exactly, or even better than the player would have predicated for a given delivery, on a given shot.
Of course, as I have already mentioned, unless a player is of a certain level of proficiency at playing, these finer points will just not be spotted.
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