It's all in the timber, simple as that. The best shafts are those with a tight straight grain, ash or maple, or even oak. I just bought some oak, enough to make four cues, and the grain is tight and dead straight from one end to the other, should be interesting when finished.
Then again if you look at Matt Stevens and Kyren Wilson's cues they both have ash shafts with a wide wavy grain, yet they play bloody good snooker with them.
It's all down to what you learned with IMO, you get a feel for a certain type of timber, and you can get that timber from any cue maker, even the cheap chinese CNC made ones, as the amount of timber they use there surely are some shafts that are going to be great,
Millimetre perfect splicing doesn't matter, you surely don't buy a cue to hang on the wall, it's a tool for some, an instrument for others, and a magic wand for one called Ronnie, but simply a badge for many who cannot play and have more money than sense.
Then again if you look at Matt Stevens and Kyren Wilson's cues they both have ash shafts with a wide wavy grain, yet they play bloody good snooker with them.
It's all down to what you learned with IMO, you get a feel for a certain type of timber, and you can get that timber from any cue maker, even the cheap chinese CNC made ones, as the amount of timber they use there surely are some shafts that are going to be great,
Millimetre perfect splicing doesn't matter, you surely don't buy a cue to hang on the wall, it's a tool for some, an instrument for others, and a magic wand for one called Ronnie, but simply a badge for many who cannot play and have more money than sense.
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