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  • #16
    Reply from Trevs1

    Trevor White was kind enough to answer my question and has given permission for me to post it onto the forum so, thanks a lot Trevor. Here is what he said:-

    OK, the butt length on modern 3/4 cues is something which I think is not a major issue with regard to the performance of a cue. It is however something which affects the 'feel' of a cue, as you'll know.

    As I'm also sure you're aware, many cues of completely different specs and design (either one piece, 3/4 or centre joint) can play just perfectly, allowing a complete range of shots with total ease.
    This is due to the fact that there are many factors why a cue does what it does, it's not down to 'ONE SINGLE ASPECT' of the cues make-up.

    With this in mind, the question of jointed or jointed, is kind of irrelevant, although if a player likes a heavier cue, a 3/4 cue will offer this more 'naturally' than a one piece due to the nature of how it's made.

    On the question of why makers use the joint at 16", well, as you'll know, not all cues do have joints at 16".
    Some will be higher or lower, depending on the particular maker or cue. In my opinion, I'd say 16" (give or take an inch) is largely to do with the 'ideal' point of balance, which in a cue is best at between 16" and 18" from the butt end. If you think of a cue with a joint at 12" or 14", then there's a greater mass further towards the back of the cue, which would naturally tip the balance further back. This is not particularly desireable to many players, so to couteract that, the shaft would maybe have to be weighted slightly, to balance the cue back to that 'neutral' point of 16" - 18". Obviously, a cue could be made with a butt of 20" to the joint, or even longer in theory, but the then is adding more solid ebony, and, would lead to increased weight to a level that most would feel unuseable.

    In truth, the ebony that is readily available fromt eh merchants is at lengths of about 19" - 20" lengths by about 1.5" square. This is the size that it's cut to at source and is the accepted dimension of cue butt blanks of ebony timber. It's true that sizes outside this dimension are available, but, not on the type of scale that ebony is largely supplied. If we bare that in mind, along with the desired point of balance within a cue, it becomes clear why they would be jointed at this point. A long butt ebony and ash cue would use one whole ebony blank, and a third of another blank, for the short splices of the 3/4 shaft.

    Looking at the points above would allow us to see that making a cue with a shorter jointed butt makes a little more economical sense with regard to our consumption of ebony. If a butt was jointed at say 12" or 13", this allows just over 6" of timber left. This can be used for the top splices of a long butt 3/4 cue, or a mini-butt, etc.....

    Less waste = greater profit.

    The simple truth is that a butt length from say 15" and even up to 18" is not in itself 'the' deciding factor in how any given cue will perform, there are other things to consider in that respect. Although, if we are talking exclusively about a plain ebony butt, it does have an enormous baring on the matter.
    As you've found out with the cue you've just got, other timbers spliced into the butt can, and do, have a considerable effect on what the finished cue feels like. That cue would feel very different if it had a plain ebony butt for sure, though whther that would be to the detriment of its performance who can say.


    As long as the butt and joint position is of a length to allow the cue to feel 'right', that's all that matter really, beyond that point, it's more about economy and waste.
    'Believe To Achieve'

    Comment


    • #17
      I just notice jimmy white using a 1/3 quarter jointed cues, his snooker cue butt are seems very long and he hold the butt until the end, i heard he like heavy cues, maybe above 19oz or 19.5oz? anybody know? jimmy white clips >>> http://www.youtube.com/watch?v=MfXFMBfpMw8
      Last edited by 888; 12 March 2009, 06:28 PM.
      http://www.youtube.com/watch?v=a5NJt...eature=related
      http://www.youtube.com/watch?v=ObX6G...eature=related
      http://www.youtube.com/watch?v=vzNirO2VkH4
      http://www.youtube.com/watch?v=y1uYI...eature=related

      Comment


      • #18
        Originally Posted by trevs1 View Post
        next cue.....centre joint???

        LOL what a reply

        Comment


        • #19
          i guess 17 or 18in are the best??

          Comment


          • #20
            i read an article which is about the different type jointed cues. the best is one piece,followed by 3/4 jointed. the reason is that 1piece cue have the best uniformity. the main difference between different joints is the impact force distribution. since 1pc is most uniform there is a very even distribution, while cues that are jointed would have their joints acts as a inteferance/disturbing source of this distribution. thus impact doesn;t feel as good as the 1pc.

            Comment


            • #21
              Here's another point for the discussion. LK.T cues (Mr Tsang) is attempting to make a titanium joint, the theory being it will transfer vibrations 14 times better than a solid brass joint.

              I believe he is having some problems getting it correct though as he is making his top-of-the-line cues with half titanium and half brass.

              Titanium shafts on golf clubs along with titanium heads on drivers were big sellers a few years ago but as I haven't played any golf in awhile now I'm not sure they are still being offered as top of the line clubs. I know the shafts shifted to fiberglass or some other compounds later on.

              Based on my own experience, I have a lot of trouble trying to spot any difference between a good 1-piece and a good 3/4-butt which is well balanced at around 17" or so. I used an Aurora 1pc for just short of a year and it felt really good but I found it just too inconvenient what with all the other gear I have to carry here in Canada (my own X-head rest plus slip-on extension) so I've been looking for a really good 3/4-butt for around 4 or 5 months now (which is why I am having the cue sale).

              I'm hoping Trevor's cue, when it arrives, will solve my problem but I've hedged my bets a bit with another 3 custom orders from Dan Shelton, Robin Cook and LK.T. One of these has to be a cue I like and can get used to (fingers crossed).

              Terry
              Terry Davidson
              IBSF Master Coach & Examiner

              Comment


              • #22
                Originally Posted by Oldgit View Post
                Trevor White was kind enough to answer my question and has given permission for me to post it onto the forum so, thanks a lot Trevor. Here is what he said:-

                OK, the butt length on modern 3/4 cues is something which I think is not a major issue with regard to the performance of a cue. It is however something which affects the 'feel' of a cue, as you'll know.

                As I'm also sure you're aware, many cues of completely different specs and design (either one piece, 3/4 or centre joint) can play just perfectly, allowing a complete range of shots with total ease.
                This is due to the fact that there are many factors why a cue does what it does, it's not down to 'ONE SINGLE ASPECT' of the cues make-up.

                With this in mind, the question of jointed or jointed, is kind of irrelevant, although if a player likes a heavier cue, a 3/4 cue will offer this more 'naturally' than a one piece due to the nature of how it's made.

                On the question of why makers use the joint at 16", well, as you'll know, not all cues do have joints at 16".
                Some will be higher or lower, depending on the particular maker or cue. In my opinion, I'd say 16" (give or take an inch) is largely to do with the 'ideal' point of balance, which in a cue is best at between 16" and 18" from the butt end. If you think of a cue with a joint at 12" or 14", then there's a greater mass further towards the back of the cue, which would naturally tip the balance further back. This is not particularly desireable to many players, so to couteract that, the shaft would maybe have to be weighted slightly, to balance the cue back to that 'neutral' point of 16" - 18". Obviously, a cue could be made with a butt of 20" to the joint, or even longer in theory, but the then is adding more solid ebony, and, would lead to increased weight to a level that most would feel unuseable.

                In truth, the ebony that is readily available fromt eh merchants is at lengths of about 19" - 20" lengths by about 1.5" square. This is the size that it's cut to at source and is the accepted dimension of cue butt blanks of ebony timber. It's true that sizes outside this dimension are available, but, not on the type of scale that ebony is largely supplied. If we bare that in mind, along with the desired point of balance within a cue, it becomes clear why they would be jointed at this point. A long butt ebony and ash cue would use one whole ebony blank, and a third of another blank, for the short splices of the 3/4 shaft.

                Looking at the points above would allow us to see that making a cue with a shorter jointed butt makes a little more economical sense with regard to our consumption of ebony. If a butt was jointed at say 12" or 13", this allows just over 6" of timber left. This can be used for the top splices of a long butt 3/4 cue, or a mini-butt, etc.....

                Less waste = greater profit.

                The simple truth is that a butt length from say 15" and even up to 18" is not in itself 'the' deciding factor in how any given cue will perform, there are other things to consider in that respect. Although, if we are talking exclusively about a plain ebony butt, it does have an enormous baring on the matter.
                As you've found out with the cue you've just got, other timbers spliced into the butt can, and do, have a considerable effect on what the finished cue feels like. That cue would feel very different if it had a plain ebony butt for sure, though whther that would be to the detriment of its performance who can say.


                As long as the butt and joint position is of a length to allow the cue to feel 'right', that's all that matter really, beyond that point, it's more about economy and waste.
                Very true, thanks.
                www.AuroraCues.com

                Comment


                • #23
                  I'd be interested to get a dozen top players and a dozen cues 4 each of 1 piece, 3/4 and centre joints and blindfold and earplug those top players and see how many can tell which is which by "feel".

                  Logistically very difficult I agree but am betting on 1 or less.

                  Comment


                  • #24
                    Originally Posted by Terry Davidson View Post

                    I believe he is having some problems getting it correct though as he is making his top-of-the-line cues with half titanium and half brass.

                    Terry
                    That's very interesting but will the titanium not wear the brass?

                    Comment


                    • #25
                      Originally Posted by Terry Davidson View Post
                      Here's another point for the discussion. LK.T cues (Mr Tsang) is attempting to make a titanium joint, the theory being it will transfer vibrations 14 times better than a solid brass joint.

                      Terry
                      This sounds very interesting. Do you happen to know the theory as to why this is so? It is because it is lighter?

                      Titanium is very hard, while brass is very soft. I would be interested to know how to stop the brass part from being worn off by the titanium. If the wood moves slightly, can the titanium be sanded down or polished easily?

                      I would imagine it is not easy to machine a titanium joint, so have to give it to LKT for trying that.

                      Any picutres to show us Terry?
                      www.AuroraCues.com

                      Comment


                      • #26
                        I am and have been an aerospace machinist for the last 36 years and can tell you all with absolute certainty that using dis-similar metals on mating parts will cause at the very least, corrosion problems, over time, and it's never a good idea to use dis-similar metals in mating threads.
                        Renegade_56

                        Mike Wooldridge Black Shark

                        Raffle For Chris Nitti Custom Pool Cue

                        www.classifiedbillards.com/mybb

                        Comment


                        • #27
                          Titanium are more to making those bicycle parts such as frame, components, not more to cue parts, it wll flex, its reminds me rob vandermark, old merlin titanium ex maker, he is indeeds.
                          http://www.youtube.com/watch?v=a5NJt...eature=related
                          http://www.youtube.com/watch?v=ObX6G...eature=related
                          http://www.youtube.com/watch?v=vzNirO2VkH4
                          http://www.youtube.com/watch?v=y1uYI...eature=related

                          Comment


                          • #28
                            Well, it is certainly not impossible to machine parts out of Ti, I do it quite frequently. It is readily machinable with proper cutting tools and ridgid setups, it's the interaction of the two different materials at the molecular level that causes problems.

                            Renegade
                            Renegade_56

                            Mike Wooldridge Black Shark

                            Raffle For Chris Nitti Custom Pool Cue

                            www.classifiedbillards.com/mybb

                            Comment


                            • #29
                              Originally Posted by Renegade_56 View Post
                              Well, it is certainly not impossible to machine parts out of Ti, I do it quite frequently. It is readily machinable with proper cutting tools and ridgid setups, it's the interaction of the two different materials at the molecular level that causes problems.

                              Renegade
                              Thanks for your input. When you mentioned problem on the molecular level were you referring to corrision?
                              What do you think about the claim that transmittion of vibration is 14 times better with titanium than brass?
                              Does Titanium process a special quality for this to be so?
                              Is it perhaps because Titanium is very light, so it can vibrate a bit more perhaps? I cannot quite figure this one out...
                              How light is Titanium...is it lighter than brass?
                              Thank you.
                              www.AuroraCues.com

                              Comment


                              • #30
                                Originally Posted by poolqjunkie View Post
                                How light is Titanium...is it lighter than brass?
                                ...
                                It seems titanium is approx half the weight of brass
                                http://www.simetric.co.uk/si_metals.htm

                                Comment

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