Originally Posted by DG GIBERT
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The dozen or so shots that I know how to play with check/reverse or running side only equate into 1-2 shots of a big break and it's usually cos ive screwed up position somehow or i need to negiotate a ball in the way so i throw the white off the cushion somewhere or wrong side of the blue and travel it over distance again when I've done something wrong with basic stun/screw type positioning.
I believe Barry Stark talks about this in one of his videos that when he walks into a club he can hear a professional player practicing vs just a club guy and when he hears ronnie play it's like mozart is in the room cos the click of the balls is beautiful.
I don't claim to be ronnie or a professional but one thing i noticed after all my work with jim is that i hardly touch the ball and i get a cracking reaction and the white is always where i want it within 6-10 inches of my next object ball with the correct angle to go to the next ball and so on.
That is the secret to big breaks and you watch them do it on tv every night especially ronnie, count how many times he uses a cushion during a hundred break then work out the average number of shots say 25 minimum for a ton so out of those 25 shots he probably used a cushion and therefore side twice or something less than 10% everything else he does is with stun, stun run, soft screws he's an absolute master.
The other problem you'll find when your around the 30-40 break bracket and I had this problem was that you don't actually know the difference between stroke, stun and screw. You think you do but you don't and that's why your losing position and not getting up into the heavy numbers.
When you can feel the difference between varying amounts of stun/screw and then after 5 stun shots play a perfect stroke shot with no stun on the white you'll find it will be where you want it to be and then also other stuff like when using the side you'll find if you cue it perfect only using stroke which is when you should be playing side most of the time cos you want it to run then you'll see it doesnt throw the CB but if you play same shot and apply stun you'll see it fly off line and you'll need to know when you adjust the potting angle to account for that.
So the long story short is having a much better understanding of my basics of cue action, timing, delivery, rhythym and fluency aswell as greatly improving my cue ball control skills was the reason i started hitting heavy breaks. The side is good for emergencies and I've challenged a few folk on this forum who rabbit on saying all pro's use it when my coach was the first scot on the tour and coached many of the games greats also and he says you don't need it 90% of the time he was a big scoring player and an attacking player he hit a 112 against reardon in 1982 and everyone is entitled to their own opinion and who they follow but so far in my playing time i've never met a player or had the chance to learn from one with a better pedigree than Jim so i listen to what he says over what nonsense someone down my club says cos they were never at the crucible and neither was I so I aint second guessing a man who was over something I've read on a forum.
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