I've read all the posts so here is what I think may be happening. For myself, I find it very, very difficult to focus on a spot like 'BOB' on a plain coloured object ball.
What I focus on is covering an arc of the object ball with an imaginary 'ghost' cueball as I find this method to be much easier to determine. For very fine cuts I also do the same thing, aiming to get the edge of the cueball to contact the edge of the object ball (exactly where BOB would be).
HOWEVER, with myself and most of my students I've found it's not really the aiming that is the problem but rather there is usually some very small body movement in the backswing, normally near the end of it and especially if the student doesn't drop the elbow on a longer backswing. It's almost like the cue is forcing the chest up perhaps by 2-3mm or so which is enough to cause problems.
But like Belloz, if I have that same student attempt to pot the blue from the yellow spot with his eyes closed some of them will make 70% or better and then when I tell them to play the shot normally they drop back to 50-60%. The difference is, with the eyes closed the player is sensing his body more (and better) and the shoulder movement doesn't happen.
I worked on this issue for my own game and although I haven't got it completely mastered as yet (hellishly DIFFICULT to stop it) I've found if I really concentrate on keeping my head still with the chin on the cue and also keep the cue on a level plane by allowing the elbow to drop a bit on the backswing I play much, much better and my long potting is really good.
My problem is I play VERY bad when I forget to keep the head/shoulder area absolutely still and with me I ALWAYS hit the left side of the cueball on the strike, which sends the object ball to the left also.
Belloz:
Try concentrating on keeping your head and shoulder ABSOLUTELY still on the backswing (and the delivery too of course) as even just 1mm of head movement will cause you to miss a longer pot and if you happen to be right-handed the tip of the cue will normally move just slightly to the left on the cueball.
Terry
What I focus on is covering an arc of the object ball with an imaginary 'ghost' cueball as I find this method to be much easier to determine. For very fine cuts I also do the same thing, aiming to get the edge of the cueball to contact the edge of the object ball (exactly where BOB would be).
HOWEVER, with myself and most of my students I've found it's not really the aiming that is the problem but rather there is usually some very small body movement in the backswing, normally near the end of it and especially if the student doesn't drop the elbow on a longer backswing. It's almost like the cue is forcing the chest up perhaps by 2-3mm or so which is enough to cause problems.
But like Belloz, if I have that same student attempt to pot the blue from the yellow spot with his eyes closed some of them will make 70% or better and then when I tell them to play the shot normally they drop back to 50-60%. The difference is, with the eyes closed the player is sensing his body more (and better) and the shoulder movement doesn't happen.
I worked on this issue for my own game and although I haven't got it completely mastered as yet (hellishly DIFFICULT to stop it) I've found if I really concentrate on keeping my head still with the chin on the cue and also keep the cue on a level plane by allowing the elbow to drop a bit on the backswing I play much, much better and my long potting is really good.
My problem is I play VERY bad when I forget to keep the head/shoulder area absolutely still and with me I ALWAYS hit the left side of the cueball on the strike, which sends the object ball to the left also.
Belloz:
Try concentrating on keeping your head and shoulder ABSOLUTELY still on the backswing (and the delivery too of course) as even just 1mm of head movement will cause you to miss a longer pot and if you happen to be right-handed the tip of the cue will normally move just slightly to the left on the cueball.
Terry
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