When top or screw is required, not forgetting running side, the tip must go through the ball and finish ahead of the initial position of the ball. Assuming equipment and skill levels are constant, two factors are at work, the force of the cue (a combination of the weight of the cue multiplied by the velocity of the cue at impact and continuing contact), the energy transfer in other words, and the distance travelled through the ball. Ultimate spin would appear to be an optimal combination of force and travel. I've cued slowly and got right through the ball which leads to a fair bit of spin. I've cued with more force but not travelled as far through and got less spin than expected. How does one cue long through the ball and get the force on?
The other thing I wondered about, as a bit of a beginner, is how players work on 'through the ball' in practice. Some folk have told me to cue to the point required beyond the ball and set up for that end point. This means setting up with a fairly short bridge to ball distance and being long in the butt section with the cue hand at 90 degrees or more to the cue. Is this a good thing to do? Yet other folk have suggested focusing on the impact on the cue ball face itself, and making the follow through a fixed amount, but the force a variable amount. This seems ok if there's plenty of cueing space, but not so good for shots where the cue and object ball are close together.
Does anyone have any useful tips, pointers, and/or videos that may be of use for improving the generation and control of spin please?
Cheers, Particle.
The other thing I wondered about, as a bit of a beginner, is how players work on 'through the ball' in practice. Some folk have told me to cue to the point required beyond the ball and set up for that end point. This means setting up with a fairly short bridge to ball distance and being long in the butt section with the cue hand at 90 degrees or more to the cue. Is this a good thing to do? Yet other folk have suggested focusing on the impact on the cue ball face itself, and making the follow through a fixed amount, but the force a variable amount. This seems ok if there's plenty of cueing space, but not so good for shots where the cue and object ball are close together.
Does anyone have any useful tips, pointers, and/or videos that may be of use for improving the generation and control of spin please?
Cheers, Particle.
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