topcoach:
All those Master Coaches trained by Nic Barrow (IBSF & thesnookergym) are given very extensive training on all the various methods which can be used in a player's technique. We are also examined by Nic on our ability to demonstrate all the various methods.
The one that got to me was the 4 different eye rhythms as I just couldn't demonstrate the one where the player flicks his eyes back to the cueball for a millisecond just before the strike. It totally messed up my own rhythm but eventually I was able to demonstrate it effectively.
In coaching I normally get students who have been playing awhile, some of them for decades. What I usually have to do is assess them and keep the good bits and try and modify the bad bits so I'm not totally changing his technique. I've also found video analysis is a great help and you can show the student what's happening in stop motion or slow motion.
I was never a pro so I don't really try and force my own technique on anybody. Everyone has a different physique and what works for one may not work for another. For example, even though I disagree with lining the cue up under the preferred eye I still talk about it and demonstrate and also show the set-up changes it forces if you move the cue to the side of the chin
Terry
All those Master Coaches trained by Nic Barrow (IBSF & thesnookergym) are given very extensive training on all the various methods which can be used in a player's technique. We are also examined by Nic on our ability to demonstrate all the various methods.
The one that got to me was the 4 different eye rhythms as I just couldn't demonstrate the one where the player flicks his eyes back to the cueball for a millisecond just before the strike. It totally messed up my own rhythm but eventually I was able to demonstrate it effectively.
In coaching I normally get students who have been playing awhile, some of them for decades. What I usually have to do is assess them and keep the good bits and try and modify the bad bits so I'm not totally changing his technique. I've also found video analysis is a great help and you can show the student what's happening in stop motion or slow motion.
I was never a pro so I don't really try and force my own technique on anybody. Everyone has a different physique and what works for one may not work for another. For example, even though I disagree with lining the cue up under the preferred eye I still talk about it and demonstrate and also show the set-up changes it forces if you move the cue to the side of the chin
Terry
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