Watched the 51 break with my coach eyes on. I agree with a previous comment in that the 'rules' of the line-up exercise are you can't touch (cannon) another ball and are supposed to re-set the balls when you do.
On your cue action, I didn't see any obvious faults or glaring issues and the one thing that's especially great is your head stays absolutely still. This will promote a smooth cue action.
Your grip is just a touch too loose it appears but I didn't get a good look at that. The only thing I'd recommend is you slow down your feathering and also slow down that backswing and see if you can get a discernible rear pause on your final backswing before you deliver. Also after delivering the cue, stay down on the shot with your cue extended and your head and body still which will promote even less body movement and give you a good follow-through.
There are a few points a coach could help you with, for instance your approach to the shot which should be more online and just two steps and then 'fall' straight down into the shot. Also, there are actually 4 pauses in an 'ideal' cue action. The first is when you drop into the shot (keeping your eyes on the object ball) your cue should be in the address position for a very short initial pause. The next is after you do your feathering stop the cue in the address position and focus your eyes on the spot on the cueball you want to hit and pause for maybe 1 second. The next is the normal rear pause and the last is at the end of the delivery.
These pauses disconnect one action from the next and help with getting a natual rhythm during the final backswing and delivery of the cue.
Terry
On your cue action, I didn't see any obvious faults or glaring issues and the one thing that's especially great is your head stays absolutely still. This will promote a smooth cue action.
Your grip is just a touch too loose it appears but I didn't get a good look at that. The only thing I'd recommend is you slow down your feathering and also slow down that backswing and see if you can get a discernible rear pause on your final backswing before you deliver. Also after delivering the cue, stay down on the shot with your cue extended and your head and body still which will promote even less body movement and give you a good follow-through.
There are a few points a coach could help you with, for instance your approach to the shot which should be more online and just two steps and then 'fall' straight down into the shot. Also, there are actually 4 pauses in an 'ideal' cue action. The first is when you drop into the shot (keeping your eyes on the object ball) your cue should be in the address position for a very short initial pause. The next is after you do your feathering stop the cue in the address position and focus your eyes on the spot on the cueball you want to hit and pause for maybe 1 second. The next is the normal rear pause and the last is at the end of the delivery.
These pauses disconnect one action from the next and help with getting a natual rhythm during the final backswing and delivery of the cue.
Terry
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